A FILM BY JOSEPH MICHAEL
TRAILER
SYNOPSIS
Matt lives with his careless roommates Amy and Kev in a share house in the inner-west suburbs of Sydney. When a sinister mould infestation takes root in their abode, Matt is quick to suspect that it may have more harmful effects. Taking initiative despite still remaining weary of the mould, Matt attempts to clean it off, however he soon realises that this endeavour may be harder than he thought.
Matt tests alternate cleaning methods and starts to notice that both Kev and Amy have become ‘infected’ when they start acing out of character. As Matt becomes certain that the mould has not only caused his roommates’ mind-controlled hypnosis, but may also be putting their lives at risk, he soon becomes even more determined to eradicate it before it’s too late.
DIRECTOR'S STATEMENT
The Mould on the Wall takes much inspiration from my experience living as a tenant in Sydney during recent extreme weather events, such as La Niña. I have experienced a number of summers of torrential rain, and this has constantly produced growths of black mould where I reside, in addition to the ominous potential of it provoking serious respiratory illness.
I wanted to recreate this experience as I have found it to be a very common one amongst friends, families and colleagues who rent, and further combine this experience with the dynamic interactions of living with roommates. It seemed only natural to fuse this experience with the thriller or horror genre, as at times, I'm sure many of us have felt that the fungi we see within the world has a scarily supernatural element to it. Upon discovery of the Ophiocordyceps Unilateralis fungi, I took inspiration in how it mind-controls (and eventually kills) bullants in some forests around the world. Imagining what it might be like if black mould in the home worked like 'Cordyceps' did, was an exciting concept to explore when conceptualising the project.
Much of the cinematic inspiration of the film stems from the work of many 'post-horror' practitioners, including Ari Aster, Robert Eggers, Jordan Peele, Jennifer Kent, and Julia Ducournau. I absolutley love how these filmmakers prioritise the psychological to generate horror, as well as leave the viewer with a satisfying yet open ending, and I just had to attempt to implement these features into the final film. I also wanted to fuse this modern take on the horror genre with elements of the comedy, with the film attempting to take into account the absurd and the exaggerated, in order to provide a sense of comic relief amongst this common household problem.
A huge thank you to the cast & crew of the film, I could not have made this (and had so much fun making it) without each of your talents, motivation, and energy.
- Joseph
KEY CREW
CAST
BEHIND THE SCENES
CONTACT
Joseph Michael
joseph.michael3011@gmail.com / loungeroomrpoductions@gmail.com
+61452530114
Instagram - @josephmichael__ @themouldonthewallfilm
PRODUCTION INFORMATION
The Mould on the Wall was filmed in Sydney, Australia in the suburb of Annandale. Pre-production began in two months ahead of production, which took place over a four day period, from the 24th-27th of August. Post-production was spread over a two month period, utilising the digital edit and colour grading suites at the University of Technology Sydney (UTS).
The final runtime is 15 minutes and 40 seconds.
This film was shot on the ARRI Alexa Mini LF with Zeiss CP.3 Lenses.
The Mould on the Wall was produced in partial fulfilment to the Bachelor of Communication (Honours) at UTS.
UTS Project Supervisor - Matthew Dabner
CREDITS
Written and Directed by
Joseph Michael
Produced by
Joseph Michael
Scarlett Potter
Starring
Saxon Cook
Taliesin Don
Ziggy Tow
Nelson Pittar
Charlotte Knoke
Freya Jarrett
Director of Photography
Nathan Rathsam
Costume & Production Design by
Tamasin Stanton
Edited by
Joseph Michael
Music by
Ramón Briant
First Assistant Director Scarlett Potter
Second Assistant Director Chrissy Voltis, Vanessa Colleen
First Assistant Camera Alexandra Anoneuvo
Second Assistant Camera Oscar Browne
Gaffer Sinclair Suhood
Location Sound Recordist Steven Khoury
Sound Editor & Mixer Danny Fong
Script Supervisor Rachael Porthouse
Production Assistant Danny Fong
Makeup and Hair Caitlin Michael
Art Department Assistant Vanessa Le
VFX and SFX by Tamasin Stanton
Colourist Nathan Rathsam
Set Photography by Kai Brand
Catering by Ocean To Stable
Special Thanks To
Sasha Jessop
Anthony & Karina Michael
Rachael Porthouse
Tara Finn
Nick Di Quattro
Nick Henderson
Marcus Eckermann
Cato Klafas
The FASS MediaLab Team
‘Documentary Narrator’ created with generative AI through 'FineShare Online Voice Changer'
Filmed in Annandale, NSW
© Lounge Room Productions 2023
The filmmakers would like to acknowledge the Gadigal people of the Eora Nation, the traditional owners of the land on which this production was filmed. We acknowledge elders past, present and emerging and recognise that sovereignty has never been ceded.